2009

Presentation exhibition of paintings Bassano del Grappa 07.11.2009

At the Galleria Scrimin

Asiago The great writer Mario Rigoni Stern would say that writing is " tear out words, "painting is definitely" tear out emotions "tonight is what we will try to take this personal Zaltron Alexandria Bassano who returns to the public after a certain period, a period that is served to her in his mature artistic expression, in take new values \u200b\u200bin art, new emotions. The meeting
that tonight we have with the art, with painting by Alessandra is an attempt to capture stories of thoughts and passions.
emotions, I said, hear about, described by a steady hand, a clear mind, by an artist who has really matured over the years, it has been able to experience his creative well from the masters he has met, from the suggestions that has grown in artistic expression, in artistic expression, this search for happiness through a freedom of interpretation. (I leave you some hints and critical, because I thought I met the painting of Alessandra and I tried to understand what are the emotions that I gave careful observation of his latest artistic production.)
There is no contrast in apparent contrast to this abstract and portraits, the title we wanted to give this staff. This staff has been a delicate but strong in-depth research, glances, images, feelings through their faces through the figures and at the same time that it was a deepening of what is a fairly innovative painting technique, certainly new in the personal history Alessandra Zaltron.
This profile artists' that we were able to seize this story just painting but also following the evolutionary history of art played by A., in this life lesson, in this lesson of interpretation that goes through a technique that goes back a bit 'to the machine optics, the fixity of the images in this meeting of looks that we are really involved what's inside what's inside mind, heart, and then move to the abstract interpretation of where we also captures an emotional intensity, where it takes an almost musical force expressed by this knife, this strong hand which is to interpret impressions, atmospheres landscapes that speak to each of us in a different form, because the very validity of art is precisely to be able to get away with emotions, to obtain an interpretation in art through all the senses, the feelings of obtaining the values \u200b\u200bof this painting almost dreamlike. Of this painting brave can go beyond the scope of the portrait known to get through the flow of colors, especially powerful in this game of light intensities, in this mastery that comes from experience, that comes from the ability to portray the ability to induce thought to run, to go through the emotions that the interpretation of light and offers especially if you look at the abstract paintings that you have behind you can really take this deep emotion. There are suggestions of the musical tones of music ranging from symphony to the growing rhythm of Ravel's Bolero to the exciting emotions that eros music played in South America. A. told me that many of these pictures were just expressing their own paintings and also that background music that accompanies his hand that accompanies his mind in the interpretation of the colors of the lights, the brightness of his narrative art. The beauty of this exhibition is its ability that this joyous display to stimulate our feelings of stimulating our passions, to appreciate the steady hand with which you draw a line in the portraits with which he gives expressive eyes, the elements of face, the story we can see that through these portraits of the life of each of us to the depths of this starting from the abstract cubism but goes to interpretations that each of us is able to take his own way. And 'This is the greatness, the validity, the search for beauty and to say with Goethe's Faust to the moment of ecstasy calling "stop" we evening ecstasy say that each of us can understand and admire the works of Alexander " stopped "because beauty will save the world.

Giandomenico Cortese